Dissertations 學位論文:
- Huang, Y. F. (2018). Connecting Conductor Gesture to Compositional Features and Conductors’ Expressive Intentions: An Exploratory Kinematic Study (Ph.D. dissertation). University of Edinburgh. FULL-TEXT
- Huang, Y. F. (2011). Susanne K. Langer’s Theory of Tension and Temporality in Music: Proposal of a Multilayer Analysis (Master’s thesis). National Taiwan University.
Journal and conference papers 期刊及研討會論文:
- Huang, Y. F. et al. (2024). MOSA: Music motion with semantic annotation dataset for cross-modal music processing. IEEE/ACM Transactions on Audio, Speech and Language Processing, 32, 4157-4170 (EI). DOI: 10.1109/TASLP.2024.3407529
(MOSA音樂身體動作和語意資料集：多模態音樂訊號處理。IEEE/ACM 聲音與語言訊號處理期刊。) (EI) - Su, L., Cooper, A., & Huang, Y. F. (2023). Automatic music transcription for sitar music analysis. Journal of New Music Research, 51(4-5), 278-299 (AHCI). DOI: 10.1080/09298215.2023.2251450
(自動採譜與西塔琴音樂分析。新音樂研究期刊。) (AHCI) - Huang, Y. F. (2023). Music semantics, motion, and multimedia generation. International Symposium on AI and Music Performance, Daejeon, South Korea.
(音樂語意、身體動作，及多媒體生成。AI與音樂演奏國際研討會，韓國。) - Huang, Y. F., & Su, L. (2023). Toward empirical analysis for stylistic expression in piano performance. The 16th International Symposium on Computer Music Multidisciplinary Research (CMMR), Tokyo, Japan.
(鋼琴演奏表現風格的實證分析。音樂科技與跨領域研究國際研討會論文集，東京，日本。) - 劉延芳、黃郁芬、蘇黎 (2021)。北管【五管(關)風入松】的移音轉韻：從樂音脈絡與音樂資訊檢索技術探索嗩吶音韻的流動性與詮釋。
臺灣音樂學論壇，臺北，臺灣。 - Huang, Y. F. (2020). Communication through body motion and audio in music performance. The 7th Music and Audio Computing Workshop, Taipei, Taiwan. ABSTRACT
(音樂演奏中的身體動作與聲音溝通。第七屆音樂與音訊科技研討會，臺北，臺灣。) - Huang, Y. F., Liang, J. I., Wei I. C., & Su, L. (2020). Joint analysis of mode and playing technique in Guqin performance with machine learning. International Society for Music Information Retrieval Conference (ISMIR), Montreal, Canada (virtual). FULL-TEXT
(使用機器學習技術分析調性及古琴演奏技法。國際音樂資訊檢索科技研討會論文集，蒙特婁，加拿大。) - 黃郁芬、蘇黎 (2020)。探究鋼琴演奏聲響的時間序列特徵與樂曲結構之關聯性：應用音樂大數據與深度學習架構分析。 ABSTRACT
臺灣音樂學論壇，臺北，臺灣。 - 梁正一、黃郁芬、蘇黎 (2020)。古代琴論的當代應用：王坦《琴旨》調式系統與音樂資訊處理技術的交互印證及演奏分析。 ABSTRACT
臺灣音樂學論壇，臺北，臺灣。 - Liu, J. W., Lin, H. Y., Huang, Y. F., Kao, H. K., & Su, L. (2020). Body movement generation for expressive violin performance applying neural networks. IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP), Barcelona, Spain (EI).
(使用神經網絡生成表現性小提琴演奏動作。IEEE國際聲學與訊號處理研討會論文集，巴賽隆納，西班牙。) (EI) FULL-TEXT
- Huang, Y. F., Chen, T. P., Moran, N., Coleman, S., & Su, L. (2019). Identifying expressive semantics in orchestral conducting kinematics. International Society for Music Information Retrieval Conference (ISMIR), Delft, Netherlands (EI). FULL-TEXT
(解析樂團指揮動作中的運動力學特徵。國際音樂資訊檢索科技研討會論文集，代爾夫特，荷蘭。) (EI) - 黃郁芬、蘇黎(2019)。深度學習架構應用於音樂演奏分析。
ABSTRACT
臺灣音樂學論壇，臺南，臺灣。 - Huang, Y. F. (2019). The embodiment of musical mind: decomposing musical movement. The 6th Music and Audio Computing Workshop, Taipei, Taiwan. ABSTRACT
(音樂心理的具象化：解析音樂身體動作。第六屆音樂與音訊科技研討會，臺北，臺灣)。 - Huang, Y. F., Coleman, S., Barnhill, E., MacDonald, R., & Moran, N. (2017). How do orchestral conducting movement kinematics communicate musical structures and interpretational intentions. Psychomusicology, 27(3), 148-157. FULL-TEXT
(Journal published by the American Psychology Association (APA))
(樂團指揮的運動力學特徵：音樂結構與詮釋溝通。音樂心理學期刊，美國心理學會。) - Huang, Y. F., Coleman, S., MacDonald, R., & Moran, N. (2016). 樂團指揮動作特徵、樂曲詮釋，以及樂曲結構關聯性研究。
臺灣音樂學論壇，臺北，臺灣。 ABSTRACT - Huang, Y. F., Coleman, S., MacDonald, R., & Moran, N. (2016). Connecting Conductor Gesture to Compositional Features and Conductors’ Expressive Intentions: An Exploratory Kinematic Study. The 14th International Conference for Music Perception and Cognition, San Francisco, USA. ABSTRACT
(指揮動作型態與樂曲特徵相關性研究。第十四屆國際音樂心理學研討會，舊金山，美國。) - Huang, Y. F., Coleman, S., MacDonald, R., & Moran, N. (2016, June). How Do Conducting Movement’s Kinematics Communicate Musical Structures? The 9th International Conference of Systematic Musicology, Jyvaskyla, Finland. ABSTRACT
(指揮家使用運動力學特徵溝通樂曲結構。第九屆國際系統音樂學研討會，芬蘭。) - Huang, Y. F., Coleman, S., MacDonald, R., & Moran, N. (2016, May). How Do Conducting Movement’s Kinematics Communicate Musical Structures? Music PhD Symposium, Edinburgh, UK.
(樂團指揮的運動力學溝通技法。音樂學博士生論壇，愛丁堡，英國。) - Huang, Y. F. (2015, March). How Does Music Move Us? Taiwan Scientific Symposium in Scotland, Edinburgh, UK.
(音樂與身體動作。台灣蘇格蘭科學研討會，愛丁堡，英國。) - Huang, Y. F. (2011, March). The Coherent Structure and Competitive Forces in the String Quartet of Bela Bartók. The CUHK-NTU Music Forum, Hong Kong.
(巴爾托克弦樂四重奏中的結構與張力。香港中文大學曁國立臺灣大學音樂研討會，香港。) - Huang, Y. F. (2010, September). Emotion and Tension in Music: Susanne K. Langer, Leonard B. Meyer and Kurt Koffka. Poster presented at The 3rd International Conference of Systematic Musicology, Cambridge, UK.
(情感與張力。第三屆國際系統音樂學研討會，劍橋，英國。) - 黃郁芬 (2008). 音樂中的情感與張力：Susanne K. Langer與Leonard B. Meyer。
臺灣音樂學論壇，臺南，臺灣。